Burn Motherfucker, Burn! (2017)
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制片国家/地区：
美国剧情简介：
2017美国纪录片《Burn Motherfucker, Burn!》由Sacha Jenkins导演，Alex Alonso主演，影片讲述的是：
Sacha Jenkins’s Burn Motherfucker Burn starts making connections right away coming out of the credits with one of too many contemporary analogues for the King video the 2015 cell phone footage of LA cops murdering unarmed AfricanAmerican Charly “Africa” Keunang From there we’re bounced back to a distant counterpart the harrowing story of the April 1962 police shootings and brutality at Mosque No 27 and brought up to King via a kind of cultural history of the city migration from the South the formation of gangs within these communities the Watts riot in detail
Burn is another wellmade film Jenkins’s cutting is inventive particularly in his segues from one topic to another he introduces Chief Bill Parker via a television game show clip and comes in on the King chapter via Chief Gates’s internal LAPD video message on “The Foothill Incident” But the film’s main virtue is the clarity with which it lays out the cause and effect relationships the rise of activism and consciousness in the wake of Watts particularly via the Black Panthers then how the faltering of those movements led to the reemergence of gang culturewarfare which led to the crack epidemic and LAPD’s involvement in it and then the music and culture that came out of that
Sacha Jenkins’s Burn Motherfucker Burn starts making connections right away coming out of the credits with one of too many contemporary analogues for the King video the 2015 cell phone footage of LA cops murdering unarmed AfricanAmerican Charly “Africa” Keunang From there we’re bounced back to a distant counterpart the harrowing story of the April 1962 police shootings and brutality at Mosque No 27 and brought up to King via a kind of cultural history of the city migration from the South the formation of gangs within these communities the Watts riot in detail
Burn is another wellmade film Jenkins’s cutting is inventive particularly in his segues from one topic to another he introduces Chief Bill Parker via a television game show clip and comes in on the King chapter via Chief Gates’s internal LAPD video message on “The Foothill Incident” But the film’s main virtue is the clarity with which it lays out the cause and effect relationships the rise of activism and consciousness in the wake of Watts particularly via the Black Panthers then how the faltering of those movements led to the reemergence of gang culturewarfare which led to the crack epidemic and LAPD’s involvement in it and then the music and culture that came out of that
