霹雳金刚 / La polizia incrimina la legge assolve (1973)
暂无豆瓣评分 
tt0070552
又名：
火拼第一线,High Crime
剧情简介：
1973西班牙剧情惊悚片《霹雳金刚》由恩佐·卡斯特拉里导演，Franco Nero主演，影片讲述的是：
This was the first breakthrough success of a Poliziotti Italian crime movie and spawned several dozen imitations Possibly the best film ever made High Crime delivers the goods like few other movies blending some experimental filming and editing techniques in with some good performances solid action sequences great music and some pretty stunning photography by Alejandro Ulloa Unlike a lot of other crime flicks made around the same period this film isnt sympathetic at all to the villains They are cold and heartless thugs whos so anything to keep themselves out of jail where they rightfully belong This film is completely fascist and rightwing in its undertones yet maintains an engaging level of emotional impact throughout The scene where Franco Nero discovers his daughter dead made me almost want to cry and Castellari expertly handles the flashbacks and knows just when to use slow motion in all the right spots
This wasnt the film which set the trend in Italian crime films see Violent Professionals but it was an excellent film which caused their widespread yet shortlived popularity Certain elements like the gettingincargundown were endlessly repeated in the genre by Castellari himself as well as his father Marino Girolami who totally ripped off the ending of this film in ROMA VIOLENTA a much more typical film in the genre with Maurizio Merli who although is not as good an actor as Franco Nero is much more intense as the leading man in these sorts of films
This was the first breakthrough success of a Poliziotti Italian crime movie and spawned several dozen imitations Possibly the best film ever made High Crime delivers the goods like few other movies blending some experimental filming and editing techniques in with some good performances solid action sequences great music and some pretty stunning photography by Alejandro Ulloa Unlike a lot of other crime flicks made around the same period this film isnt sympathetic at all to the villains They are cold and heartless thugs whos so anything to keep themselves out of jail where they rightfully belong This film is completely fascist and rightwing in its undertones yet maintains an engaging level of emotional impact throughout The scene where Franco Nero discovers his daughter dead made me almost want to cry and Castellari expertly handles the flashbacks and knows just when to use slow motion in all the right spots
This wasnt the film which set the trend in Italian crime films see Violent Professionals but it was an excellent film which caused their widespread yet shortlived popularity Certain elements like the gettingincargundown were endlessly repeated in the genre by Castellari himself as well as his father Marino Girolami who totally ripped off the ending of this film in ROMA VIOLENTA a much more typical film in the genre with Maurizio Merli who although is not as good an actor as Franco Nero is much more intense as the leading man in these sorts of films
