关于在短时间内的某几个人的经过 / Sur le passage de quelques personnes à travers une assez courte unité de temps (1959)
7.8 
tt0481910
制片国家/地区：
法国上映日期：
剧情简介：
1959法国短片《关于在短时间内的某几个人的经过》由居伊·德波导演，影片讲述的是：
Voice 1 male professional announcer type This neighborhood1 was made for the wretched dignity of the petty bourgeoisie for respectable occupations and intellectual tourism The sedentary population of the upper floors was sheltered from the influences of the street This neighborhood has remained the same It was the strange setting of our story where a systematic questioning of all the diversions and works of a society a total critique of its idea of happiness was expressed in acts
These people also scorned subjective profundity They were interested in nothing but an adequate and concrete expression of themselves
Voice 2 Debord monotone Human beings are not fully conscious of their real life usually groping in the dark overwhelmed by the consequences of their acts at every moment groups and individuals find themselves confronted with results they have not wished
Voice 1 They said that oblivion was their ruling passion They wanted to reinvent everything each day to become the masters and possessors of their own lives
Just as one does not judge a man according to the conception he has of himself one cannot judge such periods of transition according to their own consciousness on the contrary one must explain the consciousness through the contradictions of material life through the conflict between social conditions and the forces of social production
The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life Youth passed away among the various controls of resignation
Our camera has captured for you a few aspects of a provisional microsociety
The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence and implicitly at their meaning
This group was on the margins of the economy It tended toward a role of pure consumption and first of all the free consumption of its time It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them
The group ranged over a very small area The same times brought them back to the same places No one went to bed early Discussion on the meaning of all this continued
Voice 2 Our life is a journey ” In the winter and the night ” We seek our passage�
Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations
Voice 2 There was the fatigue and the cold of the morning in this muchtraversed labyrinth like an enigma that we had to resolve It was a lookingglass reality through which we had to discover the potential richness of reality
On the bank of the river evening began once again and caresses and the importance of a world without importance Just as the eyes have a blurred vision of many things and can see only one clearly so the will can strive only incompletely toward diverse objects and can completely love only one at a time
Voice 3 young girl No one counted on the future It would never be possible to be together later or anywhere else There would never be a greater freedom
Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow contingent zone where what was lacking was felt as irreparable The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive
Voice 2 One never really contests an organization of existence without contesting all of that organizations forms of language
Voice 1 When freedom is practiced in a closed circle it fades into a dream becomes a mere representation of itself The ambiance of play is by nature unstable At any moment ordinary life� can prevail once again The geographical limitation of play is even more striking than its temporal limitation Any game takes place within the contours of its spatial domain Around the neighborhood around its fleeting and threatened immobility stretched a halfknown city where people met only by chance losing their way forever
The girls who found their way there because they were legally under the control of their families until the age of eighteen were often recaptured by the defenders of that detestable institution They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns
What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter They describe the atomization of social functions and the isolation of their products One can in contrast envisage the entire complexity of a moment which is not resolved into a work a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear The subject matter of the documentary would then be this confused totality
Voice 2 The era had arrived at a level of knowledge and technical means that made possible and increasingly necessary a direct construction of all aspects of a liberated affective and practical existence The appearance of these superior means of action still unused because of the delays in the project of liquidating the commodity economy had already condemned aesthetic activity whose ambitions and powers were both outdated The decay of art and of all the values of former mores had formed our sociological background The ruling classs monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past An art film on this generation can only be a film on its absence of real creations
Everyone unthinkingly followed the paths learned once and for all to their work and their home to their predictable future For them duty had already become a habit and habit a duty They did not see the deficiency of their city They thought the deficiency of their life was natural We wanted to break out of this conditioning in quest of another use of the urban landscape in quest of new passions The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games We could expect nothing of anything we had not ourselves altered The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers It is man who makes the unity of the world but man has extended himself everywhere People can see nothing around them that is not their own image everything speaks to them of themselves Their very landscape is alive There were obstacles everywhere There was a cohesion in the obstacles of all types They maintained the coherent reign of poverty Everything being connected it was necessary to change everything by a unitary struggle or nothing It was necessary to link up with the masses but we were surrounded by sleep
Voice 3 The dictatorship of the proletariat is a desperate struggle bloody and bloodless violent and peaceful military and economic educational and administrative against the forces and traditions of the old world
Voice 1 In this country it is once again the men of order who have rebelled They have reinforced their power They have been able to aggravate the grotesqueness of the ruling conditions according to their will They have embellished their system with the funereal ceremonies of the past
Voice 2 Years like a single instant prolonged to this point come to an end
Voice 1 What was directly lived reappears frozen in the distance fit into the tastes and illusions of an era carried away with it
Voice 2 The appearance of events that we have not made that others have made against us now obliges us to be aware of the passage of time its results the transformation of our own desires into events What differentiates the past from the present is precisely its outofreach objectivity there is no more shouldbe being is so consumed that it has ceased to exist The details are already lost in the dust of time Who was afraid of life afraid of the night afraid of being taken afraid of being kept
Voice 3 What should be abolished continues and we continue to wear away with it We are engulfed We are separated The years pass and we havent changed anything
Voice 2 Once again morning in the same streets Once again the fatigue of so many similarly passed nights It is a walk that has lasted a long time
Voice 1 Really hard to drink more
Voice 2 Of course one might make a film of it But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with it will never be more than a recreation ” poor and false like this botched traveling shot
Voice 3 There are now people who pride themselves on being authors of films as others were authors of novels They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time ignorant of the end of the arts of passivity They are praised for their sincerity since they dramatize with more personal depth the conventions of which their life consists There is talk of the liberation of the cinema But what does it matter to us if one more art is liberated through which Tom Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life not only in the perspectives of history but for us and right away This entails the withering away of alienated forms of communication The cinema too has to be destroyed
Voice 2 In the final analysis stars are created by the need we have for them and not by their talent or lack of talent or even by the film industry or advertising Miserable need dismal anonymous life that would like to expand itself to the dimensions of cinema life The imaginary life on the screen is the product of this real need The star is the projection of this need
The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life
To really describe this era it would no doubt be necessary to show many other things But what would be the point
Better to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories
1 This film which evokes the lettrist experiences at the origin of the situationist movement opens with shots of the Paris district frequented by the lettrists in the early 1950s
Voice 1 male professional announcer type This neighborhood1 was made for the wretched dignity of the petty bourgeoisie for respectable occupations and intellectual tourism The sedentary population of the upper floors was sheltered from the influences of the street This neighborhood has remained the same It was the strange setting of our story where a systematic questioning of all the diversions and works of a society a total critique of its idea of happiness was expressed in acts
These people also scorned subjective profundity They were interested in nothing but an adequate and concrete expression of themselves
Voice 2 Debord monotone Human beings are not fully conscious of their real life usually groping in the dark overwhelmed by the consequences of their acts at every moment groups and individuals find themselves confronted with results they have not wished
Voice 1 They said that oblivion was their ruling passion They wanted to reinvent everything each day to become the masters and possessors of their own lives
Just as one does not judge a man according to the conception he has of himself one cannot judge such periods of transition according to their own consciousness on the contrary one must explain the consciousness through the contradictions of material life through the conflict between social conditions and the forces of social production
The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life Youth passed away among the various controls of resignation
Our camera has captured for you a few aspects of a provisional microsociety
The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence and implicitly at their meaning
This group was on the margins of the economy It tended toward a role of pure consumption and first of all the free consumption of its time It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them
The group ranged over a very small area The same times brought them back to the same places No one went to bed early Discussion on the meaning of all this continued
Voice 2 Our life is a journey ” In the winter and the night ” We seek our passage�
Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations
Voice 2 There was the fatigue and the cold of the morning in this muchtraversed labyrinth like an enigma that we had to resolve It was a lookingglass reality through which we had to discover the potential richness of reality
On the bank of the river evening began once again and caresses and the importance of a world without importance Just as the eyes have a blurred vision of many things and can see only one clearly so the will can strive only incompletely toward diverse objects and can completely love only one at a time
Voice 3 young girl No one counted on the future It would never be possible to be together later or anywhere else There would never be a greater freedom
Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow contingent zone where what was lacking was felt as irreparable The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive
Voice 2 One never really contests an organization of existence without contesting all of that organizations forms of language
Voice 1 When freedom is practiced in a closed circle it fades into a dream becomes a mere representation of itself The ambiance of play is by nature unstable At any moment ordinary life� can prevail once again The geographical limitation of play is even more striking than its temporal limitation Any game takes place within the contours of its spatial domain Around the neighborhood around its fleeting and threatened immobility stretched a halfknown city where people met only by chance losing their way forever
The girls who found their way there because they were legally under the control of their families until the age of eighteen were often recaptured by the defenders of that detestable institution They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns
What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter They describe the atomization of social functions and the isolation of their products One can in contrast envisage the entire complexity of a moment which is not resolved into a work a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear The subject matter of the documentary would then be this confused totality
Voice 2 The era had arrived at a level of knowledge and technical means that made possible and increasingly necessary a direct construction of all aspects of a liberated affective and practical existence The appearance of these superior means of action still unused because of the delays in the project of liquidating the commodity economy had already condemned aesthetic activity whose ambitions and powers were both outdated The decay of art and of all the values of former mores had formed our sociological background The ruling classs monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past An art film on this generation can only be a film on its absence of real creations
Everyone unthinkingly followed the paths learned once and for all to their work and their home to their predictable future For them duty had already become a habit and habit a duty They did not see the deficiency of their city They thought the deficiency of their life was natural We wanted to break out of this conditioning in quest of another use of the urban landscape in quest of new passions The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games We could expect nothing of anything we had not ourselves altered The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers It is man who makes the unity of the world but man has extended himself everywhere People can see nothing around them that is not their own image everything speaks to them of themselves Their very landscape is alive There were obstacles everywhere There was a cohesion in the obstacles of all types They maintained the coherent reign of poverty Everything being connected it was necessary to change everything by a unitary struggle or nothing It was necessary to link up with the masses but we were surrounded by sleep
Voice 3 The dictatorship of the proletariat is a desperate struggle bloody and bloodless violent and peaceful military and economic educational and administrative against the forces and traditions of the old world
Voice 1 In this country it is once again the men of order who have rebelled They have reinforced their power They have been able to aggravate the grotesqueness of the ruling conditions according to their will They have embellished their system with the funereal ceremonies of the past
Voice 2 Years like a single instant prolonged to this point come to an end
Voice 1 What was directly lived reappears frozen in the distance fit into the tastes and illusions of an era carried away with it
Voice 2 The appearance of events that we have not made that others have made against us now obliges us to be aware of the passage of time its results the transformation of our own desires into events What differentiates the past from the present is precisely its outofreach objectivity there is no more shouldbe being is so consumed that it has ceased to exist The details are already lost in the dust of time Who was afraid of life afraid of the night afraid of being taken afraid of being kept
Voice 3 What should be abolished continues and we continue to wear away with it We are engulfed We are separated The years pass and we havent changed anything
Voice 2 Once again morning in the same streets Once again the fatigue of so many similarly passed nights It is a walk that has lasted a long time
Voice 1 Really hard to drink more
Voice 2 Of course one might make a film of it But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with it will never be more than a recreation ” poor and false like this botched traveling shot
Voice 3 There are now people who pride themselves on being authors of films as others were authors of novels They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time ignorant of the end of the arts of passivity They are praised for their sincerity since they dramatize with more personal depth the conventions of which their life consists There is talk of the liberation of the cinema But what does it matter to us if one more art is liberated through which Tom Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life not only in the perspectives of history but for us and right away This entails the withering away of alienated forms of communication The cinema too has to be destroyed
Voice 2 In the final analysis stars are created by the need we have for them and not by their talent or lack of talent or even by the film industry or advertising Miserable need dismal anonymous life that would like to expand itself to the dimensions of cinema life The imaginary life on the screen is the product of this real need The star is the projection of this need
The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life
To really describe this era it would no doubt be necessary to show many other things But what would be the point
Better to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories
1 This film which evokes the lettrist experiences at the origin of the situationist movement opens with shots of the Paris district frequented by the lettrists in the early 1950s
