吸血鬼 / Blutsauger (2021)
暂无豆瓣评分 
tt11261296
制片国家/地区：
德国又名：
Bloodsuckers
剧情简介：
2021德国喜剧恐怖片《吸血鬼》由尤利安·拉德迈耶导演，亚历山大·科贝里泽主演，影片讲述的是：
August 1928 while workers and farmers search “Das Kapital” for answers to some mysterious vampire bite marks a selfproclaimed baron enters the life of the charming heiress Miss FlambowJansen as well as her luxury Baltic residence As it turns out he is actually a proletarian impostor forced to escape from the Soviet Union because of a political incident involving no less than Sergei Eisenstein and Stalin himself
Julian Radlmaier takes his trademark “ironical materialism” even further with a new mixture of ideology and cinephilia that gives rise to a dialectic fablecumformalistcomedy assuming that the Marxist description of the capitalist as a vampire is far from metaphorical And while the entire film features historical inaccuracies that highlight the subject’s current relevance it is the finale with its abrupt detour into manipulation of reality and xenophobia which really emphasises how injustice and lies prevailed then as now – only now more than ever The oppressed continue to aim their class violence in the wrong direction once again offering their necks to the oppressors’ fangs
August 1928 while workers and farmers search “Das Kapital” for answers to some mysterious vampire bite marks a selfproclaimed baron enters the life of the charming heiress Miss FlambowJansen as well as her luxury Baltic residence As it turns out he is actually a proletarian impostor forced to escape from the Soviet Union because of a political incident involving no less than Sergei Eisenstein and Stalin himself
Julian Radlmaier takes his trademark “ironical materialism” even further with a new mixture of ideology and cinephilia that gives rise to a dialectic fablecumformalistcomedy assuming that the Marxist description of the capitalist as a vampire is far from metaphorical And while the entire film features historical inaccuracies that highlight the subject’s current relevance it is the finale with its abrupt detour into manipulation of reality and xenophobia which really emphasises how injustice and lies prevailed then as now – only now more than ever The oppressed continue to aim their class violence in the wrong direction once again offering their necks to the oppressors’ fangs
