玛丽玛丽血玛丽 / Mary, Mary, Bloody Mary (1975)
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剧情简介：
1975墨西哥剧情悬疑片《玛丽玛丽血玛丽》由Juan López Moctezuma导演，Cristina Ferrare主演，影片讲述的是：
墨西哥超现实吸血鬼片，导演Juan López Moctezuma是JODOROWSKY大师的好友，曾经参与杨大师多部经典CULT片的拍摄工作。
A beautifull artist Cristina Ferrare moonlights as a vampire while in Mexico killing lovers of both sex It seems that the only person who has any chance of stopping her reign of terror is her father John Carradine whos also a vampire Model and future TV host Christina Ferrare is a lesbian vampire whose victims are dying to quench her thirst for blood Mexican authorities and her father John Carradine try to come between Ferrare and her next targets neck in this horrifying shockfest
Juan Lopez Moctezumas MARY MARY BLOODY MARY 1975 is one of those movies you watch and after mentally cataloging all the things wrong with it realize how cool it really is mostly because of all the things you thought were wrong with it Cristina Ferrare is such a Pamprin headache of an actress as stiff as a celluloid collar and yet she does create one of cinemas most interesting vampires In many ways Mary couldnt be worse at what she does while the early murder of a man interested in more than her paintings goes off smoothly Miss Thing slyly sliding a hairpin out of her chignon during female superior sex and using it to lay open his jugular her next victim a fisherman whom she has attempted to drug nearly fends her off until she takes him down in one of the most ungainly vampire attacks of all time
Elsewhere Mary proves herself a complete chicken shit in moments of tension as when she breaks down in big booboo tears when confronted on a country road by a mysterious figure clad in black Shes lachrymose emotionally withdrawn sexually disengaged and her art sucks what a perfect portrait of an Ugly Americana spreading the white mans poison south of the border Its in this context that the cheapness of the production the harsh 70s decor the cold perfunctory performances and the walltowall Muzak score actually begin to seem like grounded artistic choices and have a lot to do with why I keep coming back to this one
MARY MARY BLOODY MARY ends in a surprisingly cynical bloodbath of ultraviolence that leaves only the pathetic title character standing or in reality on her knees sucking the life out of the one person whose love she had relied on to point her to some kind of normalcy Not enough vampire movies use awkwardness and incompetence as character traits to define their bloodsuckers and thats too bad George Romero had similar ideas for MARTIN 1976 a year later but portraying vampires as just folks is definitely the horror road not taken
墨西哥超现实吸血鬼片，导演Juan López Moctezuma是JODOROWSKY大师的好友，曾经参与杨大师多部经典CULT片的拍摄工作。
A beautifull artist Cristina Ferrare moonlights as a vampire while in Mexico killing lovers of both sex It seems that the only person who has any chance of stopping her reign of terror is her father John Carradine whos also a vampire Model and future TV host Christina Ferrare is a lesbian vampire whose victims are dying to quench her thirst for blood Mexican authorities and her father John Carradine try to come between Ferrare and her next targets neck in this horrifying shockfest
Juan Lopez Moctezumas MARY MARY BLOODY MARY 1975 is one of those movies you watch and after mentally cataloging all the things wrong with it realize how cool it really is mostly because of all the things you thought were wrong with it Cristina Ferrare is such a Pamprin headache of an actress as stiff as a celluloid collar and yet she does create one of cinemas most interesting vampires In many ways Mary couldnt be worse at what she does while the early murder of a man interested in more than her paintings goes off smoothly Miss Thing slyly sliding a hairpin out of her chignon during female superior sex and using it to lay open his jugular her next victim a fisherman whom she has attempted to drug nearly fends her off until she takes him down in one of the most ungainly vampire attacks of all time
Elsewhere Mary proves herself a complete chicken shit in moments of tension as when she breaks down in big booboo tears when confronted on a country road by a mysterious figure clad in black Shes lachrymose emotionally withdrawn sexually disengaged and her art sucks what a perfect portrait of an Ugly Americana spreading the white mans poison south of the border Its in this context that the cheapness of the production the harsh 70s decor the cold perfunctory performances and the walltowall Muzak score actually begin to seem like grounded artistic choices and have a lot to do with why I keep coming back to this one
MARY MARY BLOODY MARY ends in a surprisingly cynical bloodbath of ultraviolence that leaves only the pathetic title character standing or in reality on her knees sucking the life out of the one person whose love she had relied on to point her to some kind of normalcy Not enough vampire movies use awkwardness and incompetence as character traits to define their bloodsuckers and thats too bad George Romero had similar ideas for MARTIN 1976 a year later but portraying vampires as just folks is definitely the horror road not taken
