五年时光 / 5 Jahre Leben (2013)
暂无豆瓣评分 
tt2071466
又名：
5 Years
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剧情简介：
2013法国剧情片《五年时光》由Stefan Schaller导演，影片讲述的是：
Kurnaz is German and was arrested in Pakistan in 2001 He was handed over to the US authorities then detained at Guantánamo for over five years Despite unimaginable torture Kurnaz never gave up his innocence Based on a true story
TurkishGerman Murat Kurnaz was held from 2001 to 2006 in American detention camps in Afghanistan and at Guantánamo Bay He was 19 when as a fresh convert to Islam he was on a pilgrimage to Pakistan and was promptly arrested on suspicion of terrorism 5 Years is based on true events and tells his story how he was tortured and interrogated continuously and mercilessly at Guantánamo Bay
The film concentrates on the harsh struggle between Kurnaz and his American interrogator Gail Holford who tries to win his trust in order to get him to confess while the physical and psychological torture goes on It cost Kurnaz enormous willpower to maintain his innocence under this pressure
Stefan Schaller chooses to seldom show the violence explicitly He lets the imagination of the viewer do the work which makes the horror of Kurnazs detention even more insistent
Kurnaz is German and was arrested in Pakistan in 2001 He was handed over to the US authorities then detained at Guantánamo for over five years Despite unimaginable torture Kurnaz never gave up his innocence Based on a true story
TurkishGerman Murat Kurnaz was held from 2001 to 2006 in American detention camps in Afghanistan and at Guantánamo Bay He was 19 when as a fresh convert to Islam he was on a pilgrimage to Pakistan and was promptly arrested on suspicion of terrorism 5 Years is based on true events and tells his story how he was tortured and interrogated continuously and mercilessly at Guantánamo Bay
The film concentrates on the harsh struggle between Kurnaz and his American interrogator Gail Holford who tries to win his trust in order to get him to confess while the physical and psychological torture goes on It cost Kurnaz enormous willpower to maintain his innocence under this pressure
Stefan Schaller chooses to seldom show the violence explicitly He lets the imagination of the viewer do the work which makes the horror of Kurnazs detention even more insistent
