死亡基地 / Baza ludzi umarlych (1959)
暂无豆瓣评分 
tt0052608
制片国家/地区：
波兰又名：
The Depot of the Dead
上映日期：
剧情简介：
1959波兰剧情片《死亡基地》由Czeslaw Petelski导演，影片讲述的是：
Czeslaw Petelski是50年代波兰电影学院派的另一位重要导演，本片是他的代表作，其中的黑白摄影非常出色。
Set in the harsh wilderness of southeastern Poland this violent drama portrays the story of hardworking truck drivers shocked out of their grueling routine when their new boss shows up with a beautiful wife in tow Lonely and facing death each day from their hazardous jobs the womans presence explodes an already desperate set of circumstances
Amazing black amp white cinematography Great character development great acting excellent black amp white cinematography the scenes of snowy roads in the forest I can see why so many people where influenced by this movie The movie may be a bit too long for todays usual short and fast and givemenow style of movie production but it is of classic length And it is obvious on how it relates with Salaires de la Peur A bit of understanding of the social situation in Poland at the time would help as it is not always clear For example when one of the comrades is carried to the church there are some assumptions there that the scene assumes the audience has but it is not totally clear with an audience detached from the Poland of the mid50s
Czeslaw Petelski是50年代波兰电影学院派的另一位重要导演，本片是他的代表作，其中的黑白摄影非常出色。
Set in the harsh wilderness of southeastern Poland this violent drama portrays the story of hardworking truck drivers shocked out of their grueling routine when their new boss shows up with a beautiful wife in tow Lonely and facing death each day from their hazardous jobs the womans presence explodes an already desperate set of circumstances
Amazing black amp white cinematography Great character development great acting excellent black amp white cinematography the scenes of snowy roads in the forest I can see why so many people where influenced by this movie The movie may be a bit too long for todays usual short and fast and givemenow style of movie production but it is of classic length And it is obvious on how it relates with Salaires de la Peur A bit of understanding of the social situation in Poland at the time would help as it is not always clear For example when one of the comrades is carried to the church there are some assumptions there that the scene assumes the audience has but it is not totally clear with an audience detached from the Poland of the mid50s
