夜行客 / Night Moves (1975)
6.8 
tt0073453
制片国家/地区：
美国又名：
夜间行动,夜探毒龙潭
上映日期：
剧情简介：
1975美国悬疑惊悚片《夜行客》由阿瑟·佩恩导演，吉恩·哈克曼主演，影片讲述的是：
Harry Moseby Gene Hackman a wornout private detective is hired to look for a 16yearold girl who has run away from the luxury home of her mother formerly a smalltime actress in Los Angeles The more the weary cynic tries to get under the surface of the seemingly simple case the harder it is for him to find his bearings among the lies and deceptions that surround him Eight years after the key New Hollywood film Bonnie and Clyde Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade Like Polanski in Chinatown or Altman in The Long Goodbye in his revisionist film noir Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange increasingly convoluted case but in his private life as well boyhood trauma a broken marriage As Moseby remarks of a sporting event “nobody’s winning … one side is just losing slower than the other”
Harry Moseby Gene Hackman a wornout private detective is hired to look for a 16yearold girl who has run away from the luxury home of her mother formerly a smalltime actress in Los Angeles The more the weary cynic tries to get under the surface of the seemingly simple case the harder it is for him to find his bearings among the lies and deceptions that surround him Eight years after the key New Hollywood film Bonnie and Clyde Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade Like Polanski in Chinatown or Altman in The Long Goodbye in his revisionist film noir Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange increasingly convoluted case but in his private life as well boyhood trauma a broken marriage As Moseby remarks of a sporting event “nobody’s winning … one side is just losing slower than the other”
