制造时尚 / Making Fashion (1938)
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制片国家/地区：
英国又名：
Design for Spring
剧情简介：
1938英国纪录片短片《制造时尚》由亨弗莱·詹宁斯导演，影片讲述的是：
Jennings’s Making Fashion documents the preparation of Norman Hartnell’s SpringSummer 1938 collection interspersing shots of the couturier and his studio at work with images indicating his inspiration the brilliantly clichéd mix of classical sculptures spring flowers and nineteenthcentury fashion plates leaves little to desire for It is an intimate yet highly idealised portrayal of the behindthescenes of one of England’s grandest and most successful fashion salons showing a perfectly coordinated ‘body’ of busy skilled workers demonstrating a range of design processes from draping on a dummy to the execution of a sample to fitting on a model and encrusting with sequins and jewels Shot in Dufaycolor a colour process especially suitable for enhancing pastels tones and with colour harmony makeup by Max Factor the sumptuous film culminates in two substantial modelling sequences – one internal the other a fashion show staged for a small audience Somewhere between a documentary and an extended commercial Hartnell was the film’s coproducer Making Fashion is a rare example of its kind in British prewar cinema
Jennings’s Making Fashion documents the preparation of Norman Hartnell’s SpringSummer 1938 collection interspersing shots of the couturier and his studio at work with images indicating his inspiration the brilliantly clichéd mix of classical sculptures spring flowers and nineteenthcentury fashion plates leaves little to desire for It is an intimate yet highly idealised portrayal of the behindthescenes of one of England’s grandest and most successful fashion salons showing a perfectly coordinated ‘body’ of busy skilled workers demonstrating a range of design processes from draping on a dummy to the execution of a sample to fitting on a model and encrusting with sequins and jewels Shot in Dufaycolor a colour process especially suitable for enhancing pastels tones and with colour harmony makeup by Max Factor the sumptuous film culminates in two substantial modelling sequences – one internal the other a fashion show staged for a small audience Somewhere between a documentary and an extended commercial Hartnell was the film’s coproducer Making Fashion is a rare example of its kind in British prewar cinema
