灰鸽子之歌 / Piesen o sivém holubovi (1961)
7.3 
tt0232416
制片国家/地区：
捷克斯洛伐克又名：
A Song About the Gray Pigeon
上映日期：
剧情简介：
1961捷克斯洛伐克剧情战争片《灰鸽子之歌》由斯坦尼斯拉夫·巴拉巴斯导演，Radoslav Bartoník主演，影片讲述的是：
1961年嘎纳电影节金棕榈提名，斯洛伐克新浪潮的先声。
The May 1961 premiere of The Song of the Gray Dove Piesen o sivom holubovi 1960 directed by Stanislav Barabas 19241994 marked the start of filmmakers use of ideologically unassailable themes in this case the Slovak National Uprising to tell stories that were truetolife and yet were filmed creatively The Song of the Gray Dove rejected the narrative topics loved by Palo Bielik who was the most creative member of the founding generation of filmmakers By using boys as his heroes Barabas was able to concentrate more on children’s fears games and happiness which had not vanished even during the war years rather than on reeducating viewers Critics took notice of the film it won the 1961 Czechoslovak Film Critics Award together with the Czech film People Live Here Too Vsude zijí lidé dir Jirí Hanibal and Stepán Skalsky 1960 because of its intimate storytelling—six stories loosely connected by childheroes—and its premise that children’s distorted reality can be more truthful than a socalled objective reconstruction of history Critics also noted that the film was not without hope despite its tragic ending
1961年嘎纳电影节金棕榈提名，斯洛伐克新浪潮的先声。
The May 1961 premiere of The Song of the Gray Dove Piesen o sivom holubovi 1960 directed by Stanislav Barabas 19241994 marked the start of filmmakers use of ideologically unassailable themes in this case the Slovak National Uprising to tell stories that were truetolife and yet were filmed creatively The Song of the Gray Dove rejected the narrative topics loved by Palo Bielik who was the most creative member of the founding generation of filmmakers By using boys as his heroes Barabas was able to concentrate more on children’s fears games and happiness which had not vanished even during the war years rather than on reeducating viewers Critics took notice of the film it won the 1961 Czechoslovak Film Critics Award together with the Czech film People Live Here Too Vsude zijí lidé dir Jirí Hanibal and Stepán Skalsky 1960 because of its intimate storytelling—six stories loosely connected by childheroes—and its premise that children’s distorted reality can be more truthful than a socalled objective reconstruction of history Critics also noted that the film was not without hope despite its tragic ending
