恐惧的绿洲 / Un posto ideale per uccidere (1971)
暂无豆瓣评分 
tt0067602
又名：
An Ideal Place to Kill,Dirty Pictures,Oasis of Fear
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剧情简介：
1971意大利惊悚片《恐惧的绿洲》由Umberto Lenzi导演，Irene Papas主演，影片讲述的是：
Most enjoyable outing from Mr Lenzi and whilst gialloesquire is really quite a mixed bag Starting off as a bit of a hippy drippy affair with a young uninhibited couple using their bodies and their guile to get a free holiday this turns into something much darker There is real suspense including a splendid Hitchcockian scene in an aviary lots of nudity and some pretty nasty moments Irene Papas Zorba the Greek and Dont Torture a Duckling lends considerable gravitas with her impressive performance as the mature woman with something of a problem to sort out Ray Lovelock is appealing as the handsome young man who likes fast cars and faster women but it is the lovely 16 year old Ornella Muti who is always catching the eye Apparently the almost too perfect nude shots are of a body double but we still get plenty of up the shorts shots as she bends obligingly forward All three are a great asset and with a decent script and Lenzis constant inventiveness this is a fine piece of exploitation cinema
Most enjoyable outing from Mr Lenzi and whilst gialloesquire is really quite a mixed bag Starting off as a bit of a hippy drippy affair with a young uninhibited couple using their bodies and their guile to get a free holiday this turns into something much darker There is real suspense including a splendid Hitchcockian scene in an aviary lots of nudity and some pretty nasty moments Irene Papas Zorba the Greek and Dont Torture a Duckling lends considerable gravitas with her impressive performance as the mature woman with something of a problem to sort out Ray Lovelock is appealing as the handsome young man who likes fast cars and faster women but it is the lovely 16 year old Ornella Muti who is always catching the eye Apparently the almost too perfect nude shots are of a body double but we still get plenty of up the shorts shots as she bends obligingly forward All three are a great asset and with a decent script and Lenzis constant inventiveness this is a fine piece of exploitation cinema
