葛蕾丝·琼斯：血光和巴米 / Grace Jones: Bloodlight and Bami (2017)
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制片国家/地区：
英国上映日期：
剧情简介：
2017英国纪录片《葛蕾丝·琼斯：血光和巴米》由Sophie Fiennes导演，葛蕾丝·琼斯主演，影片讲述的是：
This electrifying journey through the public and private worlds of pop culture megaicon Grace Jones contrasts musical sequences with intimate personal footage all the while brimming with Jones’s bold aesthetic A largerthanlife entertainer an androgynous glampop diva an unpredictable media presence – Grace Jones is all these things and more Sophie Fiennes’s documentary goes beyond the traditional music biography offering a portrait as stylish and unconventional as its subject Taking us home with her to Jamaica into the studio with longtime collaborators Sly amp Robbie and backstage at gigs around the world the film reveals Jones as lover daughter mother and businesswoman But the stage is the fixed point to which the film returns with eyepopping performances of Slave to the Rhythm “Pull Up to the Bumper” Love is the Drug and more Jones herself has said watching the film “will be like seeing me almost naked” and indeed Fiennes’s treatment is every bit as definitiondefying as its subject untamed by either age or life itself
This electrifying journey through the public and private worlds of pop culture megaicon Grace Jones contrasts musical sequences with intimate personal footage all the while brimming with Jones’s bold aesthetic A largerthanlife entertainer an androgynous glampop diva an unpredictable media presence – Grace Jones is all these things and more Sophie Fiennes’s documentary goes beyond the traditional music biography offering a portrait as stylish and unconventional as its subject Taking us home with her to Jamaica into the studio with longtime collaborators Sly amp Robbie and backstage at gigs around the world the film reveals Jones as lover daughter mother and businesswoman But the stage is the fixed point to which the film returns with eyepopping performances of Slave to the Rhythm “Pull Up to the Bumper” Love is the Drug and more Jones herself has said watching the film “will be like seeing me almost naked” and indeed Fiennes’s treatment is every bit as definitiondefying as its subject untamed by either age or life itself
