红色好莱坞 / Red Hollywood (1996)
暂无豆瓣评分 
tt0332344
制片国家/地区：
美国剧情简介：
1996美国纪录片历史《红色好莱坞》由汤姆·安德森导演，保罗·贾里科主演，影片讲述的是：
A revelatory essay film by Thom Andersen and film critic Noel Burch RED HOLLYWOOD which has been remastered and reedited examines the films made by the victims of the Hollywood Blacklist and offers a radically different perspective on a key period in the history of American cinema An elaboration on Andersens 1985 written essay also called Red Hollywood the documentary draws on extensive research includes intimate interviews with former blacklisted artists such as Paul Jarrico Ring Lardner Jr Alfred Levitt and Abraham Polonsky and features clips from more than fifty films that span numerous genres and raise questions about war race relations class solidarity womens labor and the studio system itself As described by Andersen and Burch The victims of the Hollywood blacklist have been canonized as martyrs but their film work in Hollywood is still largely denigrated or ignored RED HOLLYWOOD considers this work to demonstrate how the Communists of Hollywood were sometimes able to express their ideas in the films they wrote and directed
A revelatory essay film by Thom Andersen and film critic Noel Burch RED HOLLYWOOD which has been remastered and reedited examines the films made by the victims of the Hollywood Blacklist and offers a radically different perspective on a key period in the history of American cinema An elaboration on Andersens 1985 written essay also called Red Hollywood the documentary draws on extensive research includes intimate interviews with former blacklisted artists such as Paul Jarrico Ring Lardner Jr Alfred Levitt and Abraham Polonsky and features clips from more than fifty films that span numerous genres and raise questions about war race relations class solidarity womens labor and the studio system itself As described by Andersen and Burch The victims of the Hollywood blacklist have been canonized as martyrs but their film work in Hollywood is still largely denigrated or ignored RED HOLLYWOOD considers this work to demonstrate how the Communists of Hollywood were sometimes able to express their ideas in the films they wrote and directed
