69两头勾 / เรื่องตลก 69 (2000)
7.5 
tt0235154
制片国家/地区：
泰国又名：
69,Ruang talok 69,6ixtynin9
剧情简介：
2000泰国喜剧惊悚片《69两头勾》由彭力·云旦拿域安导演，Lalita Panyopas主演，影片讲述的是：
When Tum Lalita Panyopas gets laid off from her secretarial job during the opening moments of PenEk Ratanaruangs 6ixtynin9 Ruang talok 69 it doesnt take long for things to go from bad to worse A mysterious package is inadvertently left in front of the door of her Bangkok apartment containing 25000 and in short order all manner of dead bodies start piling up most of them in Tums apartment
This exciting 1999 film from Thai director PenEk Ratanaruang Last Life in the Universe is in the Quentin TarantinoDanny Boyle vein with copious bits of sudden violence nestled between darkly comic situations Revealing too many details would take the fun out of this one but the message that money most definitely does not buy happiness is the theme here with the bloody misadventures of the quiet and serious Tum—who crosses paths with a crooked boxing promoter murderous henchman a handsome policeman a nosy neighbor and an evil crime lord—moving unpredictably as mercury What that really means is that PenEk Ratanaruang does not shy away from dispensing with secondary characters at a moments notice and the film moves along rapidly with carefully constructed abandon
There is a real sense of freshness in the way PenEk Ratanaruang tell the story even if weve seen vaguely similar plots like this before by utilizing some interesting dream and transitional sequences and I was constantly surprised by the bouncy quickness that minimized any measurable dead spots and that made 6ixtynin9 just fly by Lalita Panyopas who seems to carry the weight of the world in her expressively stoic face as the woeful Tum spends the majority of the film looking worried pensive or frightened and yet she is still able to display a deftly macabre comic timing even as shes sawing the leg off of a dead body
6ixtynin9 is one of those definitive sleeper titles the type that never gets the audience it truly deserves and being a foreign film doesnt help its marketability much considering that subtitled films generally never achieve the same kind of broad Western appeal That is certainly unfortunate and nearsighted thinking because PenEk Ratanaruang has made the kind of bloody tragicomedy that never takes the obvious way out and the mix of humor and violence blends together seamlessly
When Tum Lalita Panyopas gets laid off from her secretarial job during the opening moments of PenEk Ratanaruangs 6ixtynin9 Ruang talok 69 it doesnt take long for things to go from bad to worse A mysterious package is inadvertently left in front of the door of her Bangkok apartment containing 25000 and in short order all manner of dead bodies start piling up most of them in Tums apartment
This exciting 1999 film from Thai director PenEk Ratanaruang Last Life in the Universe is in the Quentin TarantinoDanny Boyle vein with copious bits of sudden violence nestled between darkly comic situations Revealing too many details would take the fun out of this one but the message that money most definitely does not buy happiness is the theme here with the bloody misadventures of the quiet and serious Tum—who crosses paths with a crooked boxing promoter murderous henchman a handsome policeman a nosy neighbor and an evil crime lord—moving unpredictably as mercury What that really means is that PenEk Ratanaruang does not shy away from dispensing with secondary characters at a moments notice and the film moves along rapidly with carefully constructed abandon
There is a real sense of freshness in the way PenEk Ratanaruang tell the story even if weve seen vaguely similar plots like this before by utilizing some interesting dream and transitional sequences and I was constantly surprised by the bouncy quickness that minimized any measurable dead spots and that made 6ixtynin9 just fly by Lalita Panyopas who seems to carry the weight of the world in her expressively stoic face as the woeful Tum spends the majority of the film looking worried pensive or frightened and yet she is still able to display a deftly macabre comic timing even as shes sawing the leg off of a dead body
6ixtynin9 is one of those definitive sleeper titles the type that never gets the audience it truly deserves and being a foreign film doesnt help its marketability much considering that subtitled films generally never achieve the same kind of broad Western appeal That is certainly unfortunate and nearsighted thinking because PenEk Ratanaruang has made the kind of bloody tragicomedy that never takes the obvious way out and the mix of humor and violence blends together seamlessly
